Product Description

Product Details

• Amazon Sales Rank: #438617 in Books
• Published on: 2005-09-28
• Original language: English
• Number of items: 1
• Binding: Paperback
• 352 pages

From Publishers Weekly
Memphis' Big Star had a short and tumultuous life in the early to mid '70s, but its legacy and impact are still felt today; Paul Westerberg, Peter Buck of REM, Matthew Sweet and Ryan Adams have all loudly sung the praises of this cult band that carved out a unique brand of power pop that went unheard by the masses after poor distribution, infighting, substance abuse and poor tour support coalesced to sink the band. If it weren't for the evangelism Big Star inspired in rock writers, they probably wouldn't have even made a second album, let alone a third. Jovanovic (Nirvana: The Complete Recordings, Perfect Sound Forever: The Story of Pavement) has an eye for detail, but this book is strictly for hardcore fans. His near-molecular dissection of band members' musical histories grows tiresome as more time is spent discussing the minutiae of the band's existence and recordings than their contributions to pop and rock music as a whole. While Jovanovic explains the factors that contributed to the band's downfall, he never fully explains why Big Star means so much to its small but devoted and influential following. That said, those who love the band will be in heaven with the fruits of Jovanovic's meticulous research: he includes an exhaustive discography, concert list and even a list of Big Star songs covered by other bands. Timed to coincide with the release of In Space, the band's first album of all-new music since 1975, this definitive biography is the ultimate Big Star reference. Photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

About the Author

Customer Reviews

Meticulously Documented But Ultimately Sad Tale
Rob Jovanovic deserves tremendous praise for stubbornly promoting his idea of a Big Star bio to publishers for years until one thankfully and finally said "yes." The result is a well-crafted and highly-detailed account of the power pop pioneers from Memphis. Jovanovic interviewed just about anyone who ever played a role in the band's existence, other than (obviously) the late Chris Bell, and the dour Alex Chilton. Bell emerges as the tragic hero of the story, while Chilton ultimately appears amazingly detached both emotionally and professionally.

My assumption listening to the records way back when was that Big Star had probably lived the typical band story - four friends who grow up together, spend years forging their craft together, and finally getting the chance to make a record. It turns out that Big Star's real story was quite different...two members going to the same school, or two jamming with a certain friend for a while...but the quartet we know as the "classic" Big Star lineup basically just falls together, records an album and a few demo songs for a follow-up, and then ends, with a grand total of seven gigs together. As a long-time fan of their music, I'm a little disappointed to learn this, so the book leaves me better informed but inevitably sadder. But if you want the Big Star story and all the details, buy this book.

Afterwards, at the very least, you'll want to listen to (or buy) all three original Big Star records.
I've been a fan since the Rykodisc release of Sister/Lovers in 1992 during my first year at college. This record is still a devastating, amazing thing of beauty. Alternating tracks can lift you up, then break your heart, and the effect is depressive but very real. It's a sort of lived in, well-earned heartache that echoes to this day. Alex Chilton is a genius. However, I saw him perform the next year, and I was disapointed in his perfunctory performance, which only included two Big Star songs. May I never have to hear Volare, in Italian or otherwise, again.

I had read enough about Big Star over the years to know their backstory, but I was intrigued by Rob Jovanovic's book length treatment. I had just read his book on Pavement, Perfect Sound Forever, and both books' strength lie in the amount of interviews he conducted with everyone involved. In fact, I might even have preferred an oral history of both bands, since their voices come through even stronger than the author's, most of the time. Nevertheless, he deserves great credit for the access he provides us to everyone who ever spent time at Ardent Studios during the 1970's. The story of Big Star is almost as sad as their third record, and you can feel the palpable disapointment of the young Chris Bell and Alex Chilton (at a point when they were still in their early 20s) at the bad luck they experienced in trying to translate sterling record reviews into sales (and the awful record distribution that hamstrung every effort).

Afterwards, at the very least, you'll want to listen to (or buy) all three original Big Star records. And then you'll want to go to Memphis, if you haven't already. The music of Big Star deserves, and even demands it.

A fan's tale of pop's biggest retrospective stars
Given the giant family tree of pop bands who trace their lineage back to Big Star, their initial failure to gain commercial traction is remembered more in well-worn stories than in emotional memories. Those few who latched onto Big Star's two key albums at the time of their early-70s release may hold onto the sense memory of the band's celebrated obscurity, but for most, the Big Star story was learned after the fact. Author Rob Jovanovic has done an admirable job of connecting the dots that form the group's oft-repeated career low-lights, and fleshing out the individual band members (and the group's coterie) as human's behind the retrospective pop gods.

Jovanovic faced down several daunting problems in writing and publishing this book. First, the band's initial career was short and their output small, so the central part of the story arc wouldn't fill a book. Second, the band's principal singer and songwriter, Alex Chilton, declined to be interviewed by Jovanovic (quotes from Chilton are drawn from another writer's earlier interview). Jovanovic had to hurdle the group's lack of commercial breakthrough, and thus the relatively limited appeal of a band history. (Their ancestral place in rock history may be secure, and their in-the-know following may be big, but to the mass audience, they're still a cult band.) The shortness of their first run was solved by providing the group member's pre-Big Star work as valuable context; in Chilton's case, coming off a chart-topping career with the Box Tops, there's a great deal of material. In addition, the members, particularly Chilton again, had post-Big Star careers whose exploration provides informative echoes of the Big Star experience. More than a third of the book covers Chilton and co-songwriter/guitarist/vocalist Chris Bell's post-Big Star careers.

That Jovanovic convinced a publisher to take on the project is perhaps the most impressive feat of all. Particularly because his finished product is squarely aimed at the band's fans, those who have the albums, have seen the reunion shows, and still struggle to really understand and feel the group's troubled origin. His interviews with band members, production staff and others provide a catalog of terrific details about the recording of the group's albums, and help to untangle the Bell-Chilton songwriting credits. He offers finely detailed accounts of how the album covers of "#1 Record" and "Radio City" came to be, and he turns up information on pre-album and unreleased recordings. His explanation of why the song "O My Soul" is in mono (on an otherwise stereo album) clears up a mystery that's dogged listeners for 30 years.

At the heart of the book is the failure of Big Star's debut, and its particular impact on Chris Bell. Javanovic follows Bell's slide and departure from the group (and his eventual erasing of the album's 16-track masters), in one of rock's less happy stories. The fallout of Big Star's commercial failure, though mostly limited in scope to the group, its immediate attendees and their posthumous third album, is surprisingly long-lasting. The book is well researched and competently written (though it's not a real page-turner, even for fans). The closing chapter provides a great description of how the author investigated and pieced together the story. The use of lengthy end-notes is distracting, as they're either outside the scope of the book, or material that should have been worked into the mainline text. The use of British spellings (apparently native to the author) is also distracting and feels academic in a book about a band from Memphis. This is an informative read for fans of the band, but not an invitation to fanship; the original albums are a much livelier introduction to the band's genius. [©2008 hyperbolium dot com]